Thursday, April 30, 2026

not again!

 



"Denys Lasdun, Wolf Prize Laureate in Architecture 1992, is revered for his contributions to Brutalist architecture, a style marked by bold, unapologetic concrete forms. His design for London’s Royal National Theatre is a perfect example of this approach: massive, angular structures that embrace functionality and artistic expression. Rather than hiding the raw beauty of concrete, Lasdun celebrated it, creating a space that challenges perceptions while being a vital part of London’s cultural landscape."

Revered?!!!!! He should have been tarred and feathered for this ugliness. And in the city of London no less. Yikes!!!!!!!!!!!!!







And what about the accusation that a majority of these lunatics who destroyed art and archicture are secular Jews?

Lasdun's grandfather, the Australia-based tobacconist Louis Abrahams (1852–1903), was an important patron of Frederick McCubbinArthur Streeton and other artists associated with the Heidelberg School art movement, also known as Australian Impressionism. His art collection was passed down to Lasdun.[7] Denys Lasdun was the son of Nathan Lasdun (1879–1920) and Julie (née Abrahams; 1884–1963)

AI confirms:

Yes, Denys Lasdun was of Jewish heritage. He was born to Jewish parents of Russian and Australian descent in London in 1914. His father, Nathan Lasdun, was a Russian-born Jewish businessman and engineer who died when Denys was six years old.  His mother, Julie Abrahams, came from an Australian Jewish family; her father, Louis Abrahams, was a Jewish cigar manufacturer and art patron who had moved from Yorkshire to Australia.  

Despite this Jewish background, Lasdun was not raised with a strong Jewish identity. His son James Lasdun noted that his father "was Jewish but not really, having been brought up with no sense of Jewish identity."  Later in life, however, Lasdun became more interested in his Jewish heritage, particularly after experiencing antisemitism.



Shall I explain this to you? The man was concretizing (pun intended) his hatred for God and tradition. That's why rather than apply the inspiring and graceful architicture that was developed in Christian Europe, he brutalized it with his arrogance and perversion. He wanted it to be ugly. He enjoyed destruction. He was trying to be radical to satisfy his ego. And the gentiles fell for this, giving him prizes. They took their natural instinct to look to the Jews - religious Jews - as a light unto the nations, and directed it to an apostate.



World I'm so sorry. I apologize on behalf of my secular brethren who aren't sorry at all. And I'm sorry that you allowed yourselves to be bamboozled. Mabye it's payback for persecuting religious Jews in earlier times.

Meanwhile, elsewhere in London:







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